A Mad Cow Hallucination

5.00"W x 5.00"H x 1.0"D

$200 (Shipping Included)

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Matt O'Neill

Elmira Heights, NY

Medium: Drawing

Subject Tags: lineart, clean, modern, simplistic, de stijl, kasimir malevich

Media: ink on paper

Size: 5"W x 5"H x 1"D

Year Created: 2001

Ready to Hang

The image (5x5 inches) is float mounted in a 10x10 frame for a minimalistic, clean effect.

My works on paper at 8.5x11 inches reflect a time when considerations of cost and place affected my choice of materials. I was always a very mobile person, and creating art in unlikely places (subway stations, cafes, busy traffic areas) has been a hallmark of my development.

Framed in black metal, with a floating effect, using UV-resistant glazing, these clean and carefully executed works will define small spaces well (or in groupings make an impactful statement on larger walls as well) -- careful placement to avoid direct sunlight recommended.

This work is on Crane’s acid-free 100% cotton paper.

Environment is key to feeling, and I seek to create a sense of more than one environment, not only to examine what juxtaposition would look like visually, but also to create a "musical" dialogue for the eyes that avoids stagnancy and counterpoints the inherent dynamism possible in a static image.

​This creativity drives brushwork with revision after revision that delights in simplicity and complexity as warp and weft. The output of which is small treasures of visual delight, collected glyphs and motifs that tell a semiotic story that changes according to the audience, and for the audience according to the moment in time and place.

If I were to use one word to define my aim as a didactic artist, it would be "Hitsuzendo."

If I were to use a different word to define what happens to me when compelled to create, it would be "Anarchy."

The grind and excitement of near-constant movement has given me a stormy and tense relationship to space, and to movement within that space. From walled-off Berlin, foggy Vienna, quaint Alpine villages, and myriad boxy American cities--each environment adding something subtle to my creations. I often pose the philosophical question--why would a thing need to represent another thing, if its own beauty in form should be recognized? I crave tension--seeking truth through examination of angles, trial--error, and the narrative that develops visually through the "indelibility" of contact between pen and paper.

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