5b18b3b7a2e59be69d78sunrise yellow cvhair
34b419a75561ab77a7casunrise panel 2
0712225ea8aeed079ba1first panel sunset copy
5039bfd0ac0191dd4184sunrise red

Sunrise Diptych

30.00"W x 30.00"H x 0.8"D

$1,190 (Shipping Included)

Buy Original Commission a Piece

Medium: Painting

Subject Tags: multicolor, bright, square

Media: acrylic on canvas

Size: 30"W x 30"H x 0.75"D

Year Created: 2017

Ready to Hang

I love the physicality of paint and the poetry of color.

Some of my earliest memories are of light streaming through stained glass windows in a German church. As a young artist, I spent a lot of time looking at Chagall. I was drawn to the flat color geometry of Stella in the 80s, to the majestic, shimmering color fields of Rothko, the quietness of Newman, the bold black and white gestures of Kline, and the works of many, many colorists. Later, during Peace Corps service in Russia, I had the chance in Moscow to see art we don't see in the west, and was blown away by the color and emotion of Vrubel's demon paintings. Just wow.

New York
I experienced and responded to the original work I had access to in the many galleries that used to line 57th Street in New York, and in the exhibitions in the early 80s at MOMA, the Guggenheim, the Whitney and the Met: the sculptures of de St Phalle, the contradiction of exactness and whimsy of Klee, the romance of Redon's pastels (a favorite medium of mine for many years), the lush paint and color of Renoir, the patterns, shapes and brilliant colors of Matisse, and the mastery and intricacies of Cezanne's landscapes. It really was an amazing time to be in NY, where on my way to or from the Art Students League, wearing paint stained overalls, I could pop into any number of galleries, stacked one above the other along 57th street, get off an elevator and be standing alone surrounded by Rothko's large, stunning color fields and one shop over see Renoir and Picasso's paintings right there, free to view inside or in the window.

Creative Process
At the moment when the paint moves across the painting surface I am simply responding to dark and light, smoothness and texture, and color, above all, color. In many ways, painting is a moving meditation where, instead of sitting still and focusing on the breath, the focus is the movement of the pigment across its surface and the traces it leaves behind.

My paintings are held in collections across the globe including Australia, Singapore, United Arab Emirates, France, Canada, the United Kingdom, Poland, and United States.

Exhibited on the east and west coast of the US in group, two person and solo shows. My last solo show was Critic's Choice in The Oregonian. My work is held in collections worldwide including the U.S., U.K., Australia, Canada, Philippines, Poland, Singapore and the United Arab Emirates.

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