It's an artist's life for me.
My work is the product of my environment over the last three decades. Generally, I've had a positive experience yet tend to be irked by frequent political and religious hypocrisy, general apathy (relating to war, the environment, fact-challenged pundits, etc.) and dogma of any stripe that leads to social and spiritual tunnel vision.
Additional & archived work can be viewed at garyaagaard.com
My conceptual cover and interior illustrations have appeared in numerous publications including The Village Voice, New York Times, Los Angeles Times, Golf Digest, Newsday, Philadelphia Weekly, Barron’s, Oxford American, Business Week, Bloomberg, National Lampoon, Seattle Weekly and Discover Magazine. Also, I've created book illustrations for Reader's Digest Books, Houghton Mifflin, St. Martin's Press, Harcourt Brace and “Emily and the Ostriches” (Rizzoli Publ.), a children's book collaboration with Dan Bernstein. In 2015, six of my paintings were published in “50 Masters of Realistic Imagery”. For the last 18 years, I've been concentrating on painting larger canvases and exploring deadline/art director-free conceptual approaches. Socio-political commentary ... shaken, not stirred.