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September In New Mexico - Original Watercolor Painting

30"W x 11"H x 0.1"D

$600 (Shipping Included)

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Charles Ash

SANTA FE, NM

Medium: Painting

Subject Tags: trees, autumn, new mexico, rio grande, river, contemporary, landscape, southwest

Media: watercolor on paper

Size: 30"W x 11"H x 0.1"D

It is September in Northern New Mexico with the cottonwoods starting to turn yellow and the oaks turning red. The smell of roasting green chiles fills the air. Throughout my life I have been inspired by the magnificent landscapes of the west. This piece was created on rough watercolor paper using a japanese writing brush. It is September in Northern New Mexico with the cottonwoods starting to turn yellow and the oaks turning red. The smell of roasting green chiles fills the air. Throughout my life I have been inspired by the magnificent landscapes of the west. This piece was created on rough watercolor paper using a japanese writing brush. This is the latest in a small series I am doing around the Rio Grande river. In this case using quick strokes with a writing brush on rough watercolor paper. 11" x 30" image size, unframed Perfect for home or office. Thanks for looking! Image was photographed to represent original colors, but your monitor colors may vary the colors slightly. This is the latest in a small series I am doing around the Rio Grande river. In this case using quick strokes with a writing brush on rough watercolor paper. 11" x 30" image size, unframed Perfect for home or office. Thanks for looking! Image was photographed to represent original colors, but your monitor colors may vary the colors slightly. The subjects I choose to paint tend to have an interesting massing, a layering of elements and a quality of light and shadow. As I travel, should I come across a striking scene I may simply take a picture for future reference, draw a quick sketch or paint on site. Open skies, storms coming in, sweeping vistas, mountains and grasslands all call for broad strokes and bold light and shadows. I strive for an economy of color and execution that can bring a landscape to life. If I can capture the shadows, forms, space at a given moment with the flow of line and color, then I can start to feel that I have succeeded. Working in such a quick, expressive manner can be like playing a jazz riff, improvising with the moment. I start with the basic composition, placing elements as needed, some planning on where I want light and shadow. Then I throw away the sketch, the photograph, look away from the reality and let the paint, the brush and the water flow.

I love working quickly using a calligraphy brush on rough paper, going for the zen of the moment. I keep the colors pure while at the same time letting the paper do the work; looking for happy accidents that I can exploit. Many times I will take a scene and modify the composition to minimalize the basic elements to maintain a deceptively simple beauty. The subjects I choose to paint tend to have an interesting massing, a layering of elements and a quality of light and shadow. I am always looking for new views and experiences. As I travel, should I come across a striking scene I may simply take a picture for future reference, draw a quick sketch or paint on site. Many times I will remember scenes and sketch from memory while I have an idle moment. My work draws from the forms, colors and experiences of the desert Southwest; an enjoyment in the act of painting expressing a simpler, more casual approach to life.

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